We all know about "channels" in the broadcast
community; a channel can serve as a source of a
variety of information and entertainment, or it can be
dedicated to providing specific information on an individual
topic. At Pro Audio Review, we’re harnessing the power
of our strong print and online content and organizing it
into “channels” to give you a more in-depth,
well-rounded source of targeted information all in one
easy-to-use microsite.
This represents a change from radio’s initial forays into the Web/wireless space, when new media were either seen as less important than over-the-air broadcasting, or threats to the very existence of radio.
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AP says MOS support within ENPS is the most sophisticated implementation. Using MOS, systems from different manufacturers can work with ENPS to create faster, more interactive newsroom workflows.
Forty-four radio and television stations and over 200 other transmitters take advantage of its central location, superior support and designated and secure facilities.
Tieline joined the Audio-via-IP Experts Group because we believe that that codec manufacturers need to collaborate in establishing a global standard for reliable broadcasting over IP networks.
We seek to reduce the complexity of broadcast studio tools making them intuitive and easy for a user to operate while allowing an engineer the greatest degree of studio design flexibility.
The CAMI provides an economical way of placing an FM translator antenna as well as STL and RPU antennas on a “hot” AM tower without requiring major changes in the antenna system.
The six-day program is produced jointly by NAB and Future Media Concepts, which provides manufacturer-authorized training in digital media techniques at multiple U.S. locations.
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After many years as a cinema staple, Surround Sound will become a broadcast staple as well. How many broadcasters are prepared for that? And what else should they prepare for?
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